Proposal – Project 2

Forgot to add this here, didn’t I?

Drawing within a found frame, approximately 22 x 30; will incorporate candy boxes, candy, birthday candles, bone, collaged valentine cards, birthday cards, bandages perhaps. Ideally, the composition should be somewhat symmetrical, though complete symmetry isn’t necessary or wanted. Colors will be soft, tints and shades of pink and blue and green with some black and off-white integrated as necessary.

Subject wise – should look deceptively innocent/harmless. Childlike, not overtly macabre. This is the difficult part to explain….I’m looking at antitypical childhood experiences/memories/trauma in a kind of semi (but nonlinear) narrative fashion. I was thinking about cultural symbolism behind food, then went from there. Such things may have a different connotation to those of us with “abnormal” life experiences (as lots of things are wont to do). For instance, looking at a Norman Rockwell-ish painting of family/community doesn’t give me a warm and fuzzy feeling. It reminds me of other things I’d rather not think about. And, in the case of the drawing I’m proposing, Valentine’s candies/birthday cakes and suchlike things sometimes garner different reactions from me than from most other people. (Incidentally, Valentine’s Day happens to be my birthday, which also makes it my twin sister’s birthday. This does come into play here, believe it or not.) I’m using food as a springboard subject, but the content is departed from the subject of food. Another important point – though this drawing is personal, the subject matter (in terms of childhood memory/trauma) is, of course, not unique to me. I think there are certain people who, because of their life experiences, will have an easier time reading this drawing than others. That’s logical and fine with me.

 

Lawrence Weiner

“The thing is, I don’t want to fuck up anyone’s life on their way to work. I want to fuck up their whole life. The only way to do that is to present things that, in order to engage with, they have to change their mentality.”

lawrence w

2nd project – 3 mentors

1. RAYMOND SAUNDERS.

Amazing.
(Incidentally, my younger sister studied with him at CCA before she dropped out like an idiot. She used to tell a story about how he ripped some wannabe skinhead kid a new one during a critique. Raymond finally had it with his nonsense, so he made him run home crying to his mommy. Ha!)

Untitled

Raymond Saunders, Untitled, 2005.

2. BETYE SAAR.

Also incredibly amazing.

“I am intrigued with combining the remnant of memories, fragments of relics and ordinary objects, with the components of technology. It’s a way of delving into the past and reaching into the future simultaneously.”

-Betye Saar

the phrenologers window saar 1966 69_black_girls_window saar

Betye Saar – Left: The Phrenologer’s Window, 1966.

Betye Saar – Right: Black Girl’s Window, 1969.

3. JANE GREGORIUS.

Not as well known as the other two, but I don’t care. This woman saved my life. Below is a screenprint monotype of hers. This was from a series depicting imagined drawings done by children in war-torn countries. Deceptively innocent at first glance, incredibly unsettling thereafter.

gregorius

Jane Gregorius, title and year unknown.

(I was unable to find title/year info for anything from this series, unfortunately.)

I’ll post more info regarding these wonderful artists’ backgrounds soon. I’ve been typing all day, and my paws don’t really want to do it anymore.

organic forms – project 1 continued

As I (finally) finish my first project – I have 45 out of 50 pieces completed – I’m realizing I need to look at something else. Since I’m working with organic forms (the diatom images), I think I’ll look at more organic or pseudo-organic forms that live within other people’s work.

These are by Tim Craighead, who is:

-an artist from CA

– a former drawing teacher of mine

and

-a mildly embittered, mildly inappropriate, extremely brilliant and strangely encouraging individual.

His advice to ACTIVATE THE BACKGROUND of a drawing was of major, major importance to me. He incorporates many motifs of an organic nature, motifs that look rather scientific but may actually be inventions of his own. If you look at many of his works, the motifs recur, creating their own secret language.

(The firsts image is casein and ink on watercolor paper; the second is a monotype. I tried to make a few tiny monotypes for this project, but I killed them. Very accidentally.)

Tim Craighead – Trace Series #22, 2006craighead 1

Tim Craighead – Monotype #388, 2006 Craighead 013

Thanks, Tim.

PROJECT 1 SPRINGBOARD IMAGES – DIATOMS

unnamed

Diatoms are a fascinating type of phytoplankton. They can be classified as a group of algae. Most are microscopic; some are single cells, whereas others live in colonies of cells. Diatoms are thought to have evolved during the Jurassic Period, so they’ve been around much, much longer than we have. I’m using some of their likenesses as a springboard for each of the five categories I’ll draw from for our first project.

I have a tendency to work with lots of super-angular, inorganic-looking forms, so I wanted to use strictly organic forms as source material this time around.

early diatom small

centric diatom

asterionella

campylodiscus 2